![]() In passing Releford-Lee does get to vocalize Turner’s own traumatic history, his insecurities, as well as his wrongs, and we see repeated examples of his drug use, womanizing and, of course, his abuse of Turner. ![]() Starting with Deon Releford-Lee, who is the evening’s villain, Ike Turner. The show moves at a relentless pace, but the rangy Lewis still manages to stop the show with a transformative “She Made My Blood Run Cold,” a bone-tired “I Don’t Wanna Fight No More” and tender “Tonight.”Ī lot of talent surrounds Lewis on stage. It’s exhausting to watch Lewis run through the eras. A throaty, emotional grit colors every note of classics like “River Deep – Mountain High,” “Proud Mary,” “What’s Love Got to Do With It” and “(Simply) The Best”, and it’s sure to please both the most casual to the most diehard of Turner fans. Lewis channels all the traits that make Turner a legend, particularly Turner’s recognizable rasp. Lewis is Tina Turner – there’s no better way to say it. Ari Groover and Parris Lewis share the role in the production, and on opening night, it was Parris Lewis donning Turner’s iconic short dresses and wigs. Louis that she first saw Ike Turner, who eventually gave her the name we all know: Tina Turner. Louis to live with her mother as a teenager. Of course, her beginnings in Nutbush are true, as is the fact that her mother left her with her father, before she was sent off to live with her grandmother. These changes are not necessarily a bad thing, but considering that Turner and her husband Erwin Bach executive produced the show, it is interesting where the story veers a little left. In reality, Roger Davies may not have been so keen on managing Tina’s comeback. and ask her to go on tour after hearing her sing once. For example, persistence led Tina to perform with Ike he didn’t just show up at her door one night at 2 a.m. Now, I’m no expert on the life and times of Tina Turner, but the book – by Katori Hall with Frank Ketelaar and Kees Prins – does appear to be more concerned with staying true to the spirit of Turner’s journey, if not the letter. Of course, Turner’s relationship with Ike Turner dominates the first half of the show, with her comeback following their divorce the focus of the second. The musical traces Turner’s rise, from her childhood in Nutbush, Tennessee, as Anna Mae Bullock to the launch of her solo career, ending with 180,000 Brazilian fans waiting to see her in concert. ![]() In that vein, I’m happy to report that Tina: The Tina Turner Musical is blindingly bright, gorgeously arranged and magnificently loud. There’s a moment early in Tina: The Tina Turner Musical, which is in town as part of Broadway at The Hobby Center, when Turner’s mother Zelma tells a young Tina Turner, “Anna Mae Bullock, you’re too loud.”
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